How much can we trust our memories? On Sunday, March 22th, ArtLab presents Memory + Myth: a live theater-infused exploration of the neuroscience of memory. The evening features original work from The Deconstructive Theatre Project–a Brooklyn-based performing arts company mixing neuroscience with multimedia–with insights into the brain from the mind of Dr. Paula Croxson.
ArtLab kicks off with an interactive experiment as Paula tests our powers of recall and introduces us to the neuroscience of how we remember. This crash course in recollection will be followed by an excerpt from the DTP’s The Orpheus Variations–a reimagining of the famous myth as a tale of the mutability of memory by blending live performance, neuroscience, and interactive technology. Rounding out the night, ArtLab will turn to the audience to delve deeper into the realm of remembrance through moderated discussion with Paula and DTP founder + director Adam J. Thompson.
Time and memory are true artists; they remould reality nearer to the heart’s desire.∇Δ
ArtLab: Memory + Myth will begin at 6:30 pm at the Center for Performance Research and is presented as part of Brain Awareness Week, featuring brain-themed events happening across New York City.
Paula Croxson is an Assistant Professor of Neuroscience at the Icahn Mount Sinai School of Medicine at Mount Sinai, New York, where she researches how memories are stored in the brain and what happens when they are compromised. Her work focuses on the complex, autobiographical life memories that are lost in aging, dementia and Alzheimer’s disease. When she’s not doing science, or talking about science, she plays the flute with indie rock band Marlowe Grey.
Adam J. Thompson is the Founding Director of The Deconstructive Theatre Project and a multimedia artist and producer. For The Deconstructive Theatre Project, he has created and directed six productions, including most recently The Orpheus Variations (Magic Futurebox 2012, HERE 2013, Under the Radar 2014, Theater at the 14th Street Y 2015). Documentary footage of The Orpheus Variations was installed as a part of “Um, Nenhum, e Cem Mil,” a visual art exhibition exploring the intersections of art and science, at Edge Arts in Lisbon, Portugal between January and March 2013. He is currently developing Searching for Sebald, the second in the company’s series of live cinema events, to premiere in early 2016. Adam is a member of The Builders Association and the Associate Producer of PROTOTYPE: Opera/Theatre/Now. He has taught and guest lectured at The School of Making Thinking, Fairleigh Dickinson University, and NYU. He holds a BA in directing and dramaturgy from Emerson College in Boston.
The Deconstructive Theatre Project is a Brooklyn-based multimedia creative laboratory that is currently creating a series of works that collide live performance, neuroscience, and interactive technology. It’s most recent live cinema project, The Orpheus Variations, just completed a sold-out engagement at The Public Theater’s 2015 Under the Radar Festival followed by an encore engagement at the Theatre at the 14th Street Y in New York City. The company has been singled out for “masterfully reinventing what live theatre can mean for the individual” and as “innovatively reflective on the future of the performing arts.” To learn more visit deconstructivetheatreproject.org
Center for Performance Research
361 Manhattan Ave.
Brooklyn, NY 11237
|Date + Time:||March 22, 2015 @ 6:30 pm|
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